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At present, the competition routine of 42 style Tai Ji Jian is the only weaponry competition style to go along with tiie competition routine of 42 style Tai Ji Quan. In some competitions the scores for both 42 style Tai Ji Quan and Tai Ji Jian are accumulated aid the winner will be ^ven an all-round award. This oorr^etition routine of Jai Ji Jian was designed based on the traditionaf mowe- ments of^Yaqg, Wu (吴＞),and Ghen style Tsh Ji Jian with mo仲 emph^is on Yang style. This competition style shares similar traits with the competition routine of 42, style Tai Ji Quart and tite technical ehanacterBtics are as the followkigs： The po&tife elegant with the itte penetrated onto th6 swortl and the movements sme s^ile3aQd ^teddy witfi the wel tafanced sof^ires)aRcl7 hardness. r :-； ：二塑顷
The most xomnxx) diffiquhy thfe learners fece when pacing this routine is the coordination of the body rnovenwtts artd the emnbiguhy of the swrd nxwmente.
件 MeUxsds lb overcomei the obstades： a) Mas^ the meats of lad Ji Quan before learhir^ the mt甄Eiewtts of TaMxfen. You haw;to master the basics'before advancing to the higher lev- ate? lai Ji iQum is the bash for ￥ai Ji Jten bemuse tte body movements^ Rances and footwork used in Tai Ji Jian are kfe伽al to Tai Ji Quan. You can understand the impprtant techniques of Tai Ji Jian by practicing Tai Ji Quan and apply them to the swordplay. b) Learn the routine systematically and focus on the accuracy in movanents. For the beginners, it is crucial to perform every movement precisely according to the key points. The beginners should avoid learning too many movements at a time without fully
understanding the important points of each in case to form the formation of the wrong movements and the bad habits which will be very difficult to correct later, c) Master the movements before practicing your mind and then combine the movements and your mind into one. Tai Ji Jian is the swordplay guided by your mind and the "Qi". However, when you begin to practice the sword, you should first pay attention to the external movements (mainly the regulations of the sword) such as the differences between striking sword and pointing sword and the route of the waving sword etc. The correct external movement is the precondition in using your mind whereas, of course, the form and mind are not completely separated. This is only the different stages of practicing the sword. 
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